Auditions for Spring 2025 Productions
We welcome everyone to our open auditions - whether you're a seasoned veteran, coming back from an acting hiatus, or completely new to the stage, we encourage you to audition for a part in one of our shows! Auditions for our Spring 2025 shows will take place:
Saturday, January 25, 12:00pm - 3:00 pm
&
Sunday, January 26, 12:00pm - 3:00pm
S&B Tech/Rehearsal Space
CALL BACKS for A Fox on the Fairway:
Tuesday, Jan. 28 at 6:00pm
Walk-ins are welcome, but we strongly encourage you to make an appointment to reduce your wait.
Make an appointment at: https://calendly.com/sockandbuskintc/auditions-spring-2025
Please arrive 10 minutes early to check in and review sides.
Please come prepared to share your scheduling conflicts starting January.
You are expected to provide ALL known conflicts during the expected rehearsal and performance period, and participation in a show is contingent on commitment to the rehearsals and performances as scheduled based on your provided conflicts.
VIRTUAL AUDITION OPTIONS ARE AVAILABLE TO THOSE WHO CANNOT ATTEND IN PERSON. Please email us at SockAndBuskinTC@gmail.com to make alternative arrangements.
Scroll down for details on the shows and available roles.
Please note that, to maintain compliance with state laws and ensure the safety of minors, volunteers (including actors and crew) may need to obtain clearances if the production team or cast includes minors.
Audition Location:
Our tech/rehearsal space is located at the Nittany Mall:
2901 E College Ave
State College, PA 16801
Use Entrance A, which is located on the E. College Ave Side of the mall (past the entrance to Gabe's). Our unit is a corner unit on the right, across from Ville Billy's.
Click on the image below to expand.
Slain at the Speakeasy
A murder mystery comedy
by Kari Williamson & Nate Schierman
adapted from interactive party script of the same name by Stefanie R. Austin
Directed by Henry Morello
Performances: March 20, 21, and 22 at 7:00pm; and March 23 at 12:30pm; at Titan Hollow
Rehearsals: Start January immediately after casting. Tech week starts Sunday, March 16.
Synopsis: It’s a typical night at Ruth’s Speakeasy, where you can find the best moonshine and jazz singers in town. Gangsters, crooked cops, businessmen, and rising stars can all be found here, and everyone respects Ruth’s rules of “no business” and “no guns.” However, betrayal, vengeance, and greed threaten the peace, and one person ends up killed. Was it the crooked police chief? The sultry jazz singer? A scorned woman? Find out the secrets and solve the mystery of Slain at the Speakeasy.
Available Roles:
- Maxwell Parker (Male, 30's-50's): Private investigator who acts as a narrator of sorts. Smart and mysterious.
- Louise (Female, 30's-40's): Barmaid. Non-nonsense like her mother, Ruth, but less uptight. Very smart, savvy, and has her secrets.
- Dorothy (Female, 20's-30's): Cigarette girl and in love with Bugsy, who works with the mob. A bit dull but clever. Religious and yearns for a traditional family life.
- Rosie (Female, 20's-30's): Aspiring blues singer and a fan of Annie Marconi, a famous singer. Wants to be a singer at the speakeasy. Dating Frankie, the local mob boss but is having a secret fling with Bugsy, one of his employees.
Additional roles may become available and this list will be updated if so.
NOTES:
- Actors may be required to attend a set building day, if set crew schedules one.
- Actors will be expected to help with costumes and props (but no financial contributions are expected.)
- You are expected to provide ALL known conflicts at the time of auditions for the entire rehearsal and performance period.
- All activities during tech week are non-negotiable - this includes load in, strike, and all rehearsals and performances.
A Fox on the Fairway
A farce by Ken Ludwig
Directed by Joe Appel
Performances: May 1, 2, and 3 at 7:30pm; and May 4 at 2:00pm; at American Philatelic Society
Rehearsals: Start March. Tech week starts Saturday, April 26. Please be prepared to discuss your rehearsal availability (days/times) at auditions. Rehearsals will generally be 2-3 evenings per week (approximately from 6pm-9pm) and Saturdays (late morning/early afternoon) and will increase closer to the show.
Callbacks (if needed) will be held on Tuesday evening, January 28 from 6pm-8pm. If you do not get a callback, that does not necessarily mean you have not been cast.
Synopsis: A tribute from Ken Ludwig (Lend Me A Tenor, Moon Over Buffalo) to the great English farces of the 1930s and 1940s, A Fox On the Fairway takes audiences on a hilarious romp, which pulls the rug out from underneath the stuffy denizens of a private country club. Filled with mistaken identities, slamming doors, and over-the-top romantic shenanigans, it's a furiously paced comedy that recalls the Marx Brothers' classics. A charmingly madcap adventure about love, life, and man's eternal love affair with...golf.
Director’s Note: This play is a farce and requires a great deal of effort (physically, vocally, mentally, emotionally, etc.) from its actors. We are seeking uninhibited risk-takers who are willing to push their boundaries and work as a team to create the funny. There is a great deal of physical comedy required as well as some physical intimacy (including kissing) that needs to be believable. If you have any questions or concerns about this, please be sure to bring them up at the audition.
Available Roles:
- Henry Bingham (Male, 30's - 50's): Director of the Quail Valley Country Club. Witty and cynical. Gets into a high-stakes bet on a golf tournament and is desperate to win. Unhappily married to Muriel and gets involved with Pamela. Comes across as grumpy and gruff but is somehow still likable.
- Dickie Bell (Male, 30's - 50's):Director of Crouching Squirrel Country Club, a rival club. Gets into a high-stakes wager with Henry Bingham. A bit obnoxious, including in his fashion choices, but tries to appear good-natured. He is unpleasant, sarcastic, and sometimes mean in his attempts at humor. He has few morals or scruples. He is Pamela's ex and has a "thing" for Muriel.
- Pamela Peabody (Female, 30's - 50's):A member of the Quail Valley Country Club. Attractive and sophisticated. A bit of a drinker. She aids Henry Bingham in his plans to win the wager. Regardless of her actual age and appearance, she is eternally 29 and sexy in her mind and this is always on display in how she speaks, walks, dresses, etc.
- Justin Hicks (Male, 20's):Henry Bingham's new assistant who is eager to please. Anxious, sweet, has unruly hair. Volunteers to be a golfer in the tournament to help win the wager, but after his engagement to Louise, he gets emotional which affects his golf game. He often comes across as a nerdy (and awkwardly horny) teenager.
- Louise Heindbedder (Female, 20's):Waitress at the Quail Valley Country Club. Attractive, a little ditzy, but studious. Engaged to Justin early on, but questions their future together and can be emotional. Can cry at a moment's notice. She is good-natured but dumb, despite her attempts to quote classic literature. She is a quintessential “dumb girl” type who is sometimes aloof and horny.
- Muriel Bingham (Female, 30's - 50's): Henry's wife. Runs an antique shop, which becomes part of Henry's wager on the golf tournament. Overbearing and stern, but has a soft spot for Dickie. Described in the script as “strong - - like a Sherman tank”, “big woman, wears camouflage”, and “a sturdy woman with a pork pie hat.” She looks, acts, speaks, and walks like these phrases would suggest.
- The Starter (any gender, any age): A starter ensures timing on a golf course and maintains order and flow. This is a minor role with a handful of announcer-type lines. There is a potential to expand this role with pantomime/dance/physical comedy as a type of silent narrator who keeps the show flowing as a starter would a golf tournament. Seeking a Charlie Chaplin type who moves well.
NOTES:
- Actors will be required to attend and participate in at least 1 set building day.
- Actors will be expected to help with costumes and props (but no financial contributions are expected.)
- You are expected to provide ALL known conflicts at the time of auditions for the entire rehearsal and performance period.
- All activities during tech week are non-negotiable - this includes load in, strike, and all rehearsals and performances.